![Tva Lyckliga Hjartan [1931] Tva Lyckliga Hjartan [1931]](http://www.benitomovieposter.com/catalog/images/movieposter/21586.jpg)
- Title: Puget sound posten v 40 no 4 jan 23, 1931, Author: Pacific Lutheran University Archives, Name: puget
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Wild Strawberries (Ingmar Bergman, Svenska Filmindustri) Victor Sjostrom and Swedish Silent Film. Tuesday, July 12, 2016.
Greta Garbo had visited her brother, Sven Gustafsson while in Stockholm. The film was co- scripted by G. Else- Marie Hansen was given her first appearance on the screen with the film. Brunius directed two films that year, botth written by screen writer Pelle Stille, The Two of Us (Vi tva) in which Edvin Adolphson appeared as an actor with Margit Manstad, Marta Ekstrom and Anna- Lisa Froberg, the film having had been being the first film in which the actress was to appear, and The Doctor’s Secret (Doktorns hemlighet) starring Pauline Brunius, Ann- Marie Brunius and Marta Ekstrom. Julius Jaenzon photographed and directed the film Ulla My Ulla (Ulla Min Ulla), the assistant director of the film having been Per- Axel Branner, it having been the first film in which actress Karin Granberg was to appear. Gustaf Bergman directed his first film that year, The Dangerous Game (Den farliga leken), starring Jenny Hasselqvist, Olga Andersson and Elsa Wallin, his also during 1.
Vera Schmiterlow and Anna- Lisa Baude in the film A Woman’s Tommorow (En Kvinnas Morgondag). Swedish cinematographer Harald Berglund in 1. Ragnar Ring on the film Lyckobreven.
Moviezine.se - Sveriges st. Full text of 'Minnesskrift. Illustreradt album utgifvet af Svenska Evangeliskt Lutherska Ebenezer-f.
Gustaf Edgren that year directed the film The Crown’s Cavaliers/ Crown escort (Kronans kavaljerer) with Stina Berg and Lisa Wirstrom in her first appearance on the screen as an actress. In 1. 93. 0 G? sta Ekman and Stina Berg appeared in the film For Her Sake (For hennes skull) written by Ivar Johansson directed by Paul Merzbach, which also starred Inga Tiblad.
In regard to the tradition in Scandinavian filmmaking of incorporating the enviornment into the storyline and the transition from silent film to sound, author Forsyth Hardy looks toward Hollywood to describe For hennes skull only to clarify the technique Gustaf Molander was soon to develop more fully behind the camera, ”The film had little significance beyond its proof that in Sweden, as elsewhere, the microphone wa a cramping influence on the movement natural to the medium.” And yet without mentioning how groundbreaking the films of the period were in the history of the relationship between the screenplay and the shootingscript, now that the photoplay had ended as a form of literature, Hardy continues by noting that during the early sound films photographed by Julius Jaenzon and directed by Victor Sjostrom both had tried to remain faithful to the old medium of silent film and its near precedence of plotline over dialougue by making the use of the microphone less noticeable during the film, possibly giving the new form more value. Paul Merzbach followed in 1. The False Millionare (Falska Millionaren), starring Fridolf Rhudin, Gunnar Bj? Annalisa Ericson and photgraphed by Elner Akesson. Swedish director John Lindlof contributed the film Den Gamla Garden with Margareta Sch.
Film clip linked with written permission of http: //www. Gustaf Bergman continued in 1.
Edvin Adolphson, Inga Tiblad and Karin Swanstr? Generalen. Gustaf Bergman also that year directed Isa Quensel in her first film appearance on screen, Karlek maste vi ha, with Margit Rosengren, Anna- Lisa Baude and Valborg Hansson and the film En kvinnas morgondag starring Jenny Hasselquist, Elsa Wallin and Olga Andersson. Rune Carlsten in 1.
Dangerous Paradise (Faroranas Paradis) with Ragnar Arvedson. Carlsten that year appeared in Longing for the Sea (Langten till havet) directed by John W. Theodor Berthels in 1. His Majesty Will have to Wait (Hans Majestat far vanta) with Margit Manstad and Ragnar Arvedson. Greta Garbo director Eric Petschler that year directed Guken Cederborg, Greta Anjo and Marta Claesson in the film Flickan fran Varmland. The cinematographer Hilmer Ekdahl photographed his first film in 1. En karleksnatt vid Oresund, directed by Ragnar Widestedt and S?
Cederstrand, the first film in which the actress Maritta Marke was to appear. The film also stars Elisabeth Frisk. Per Axel Branner directed Astrid Bodin in her first film during 1. Under roda fanor, photographed by G. Actor Hasse Ekman was given the play ”Fredja” by Per Lindberg in 1. Vieira After returning to Sweden in hope that it was there that his daughters would be raised, Victor Sj? Swedish film directors Gustaf Molander and Gustav Edgren in the film Motley Leaves/Gaudy Blade (Brokiga Blad) with Lili Ziedner, Edvin Adolphson, G?
Ekman and Annalisa Ericson. Sj? str? m had appeared in a short beauty contest film, Froken, Ni linknar Greta Garbo (1. Lars Hanson and Karin Molander, both of whom had returned to Sweden, where Eivor Nordstrom was chosen to be the most like Greta Garbo. Its photographer was Ake Dahlquist, its director Per Axel Branner who had been the assistant director to the film, The Markurells of Wadkoping, directed by Victor Sj?
Branner had directed his first film, Tango- foxtrot, in 1. Victor Sj? str? m’s daughter, Guje Lagerwall (Guje Sj? Guje Kanter) wrote the screenplays to two Swedish films, Smeder pa luffen (Erik Hampe Faustman, 1. Lattjo med Boccaccio (Gosta Bernhard, 1. Sweden. Gustav Molander directed both father and daughter in films that were made in Sweden, Victor Sj?
Love (Karlek, 1. 95. Guje Lagerwall in Franskild (1. Also starring in Molander’s film Franskild were Inga Tiblad, Irma Christensen and Marianne L. Hellstr? m had been a film critic who met with both Eisenstien and Pudovkin before returning to Sweden. It is distinct from Molander’s other film in its technique, in its editing. Appearing in the film are Gerda Lundequist, Unno Henning, Sture Lagerwall, Ingert Bjuggren and Karin Swanstr?
The cinematographer to the film was Ake Dahlquist. Film clip linked with written permission from http: //www.
In a series of photo captions for the negatives that were in fact chosen for publication, author Vieira notes that by the time the portraits for The Fall and Rise of Susan Lennox were shot, Clarence Sinclair Bull had decided to no longer use a soft focus lens to photograph Greta Garbo, although he still used silk- covered softlights for the series. The cinemaographer to the film was Elner Akesson. Actress Ingrid Bergman has a brief role in the film, as does Corcordia Selander, and yet in her autobiography, My Story, Bergman omits the name of Gunnar Skoglund entirely. Bergman, rather, relates an account of her having been given a screen test with Gustaf Molander. She was a fine comedy actress, but now she was the artistic director of Swedish Films”, wrote Bergman.
She quotes Karin Swanstr? Bergman, ”No, wait a minute, I’ll see if I can arrange it now.” It would be Gustaf Molander that would recommend her to Edvin Adolphson until it would later become possible for her to film with him. Soderkakar was the first film in which actress Rut Holm was to appear. Gosta Rodin directed his first film that year, Tva hjartan och en skuta, starring Birgit Sergelius, it being the first film in which Swedish actress Carin Swensson was to appear.
Ragnar Arvedson was the assistant director to the film Modern Wives (Modarna fruar, 1. Edvin Adolphson based on the play written by Algot Sandberg. In 1. 93. 2, Gustaf Molander directed three films; Black Roses(Svarta rosor), photographed by Ake Dalquist and written by Ragnar Hylten Cavalius, it having starred Einar Axelsson, Karin Swanstrom, Ruth Stevens and Carl Barcklind, We Who Use the Servant’s Entrance (Vi som gar koksvagen), also photographed by Ake Dalqvist while scripted by Tancred Ibsen and starring Tutta Rolf, Karin Swanstr. It was also the first film in which actress Alice Carlsson was to appear.
Jag gifta mig- aldrig, the first film in which Viran Rydkvist was to appear, was brought to the screen that year by director Eric Berglund. In 1. 93. 2, John Lindlof directed Tva man om en anka, written by Borje Larsson and photographed by Julius Jaenzon. The film stars Tollie Zellmann. Sigurd Wallen in 1. The Boys of Storholmen (Pojkarna pa Storholmen) with Margit Manstad, Anna Olin and Ruth Stevens and Lucky Devils (Lyckans gullgossar), the assistant director to the film Ivar Johansson. Gustaf Edgren that year directed Annalisa Ericson in the film Varmlanders (Varmlanningarna) with Hilda Borgstr?
In Denmark, two years earlier a novel about a poet, Havoc (Haevaerk) had begun a look at the world by Danish literature than would become from then increasingly more modern, although its author, Tom Kristensen, had in fact begun publishing poetry in Denmark in 1. Freebooter’s dreams (Fribytterdromme). In 1. 93. 2 it would be followed by the novel Jorgen Stein, written by Jacob Paludan. Playthings (Legetoj), written by H.
Branner would introduce H. Branner to Danish audiences in 1. Branner would later write the novels The Riding Master (Rytteren) in 1. No One Knows the Night (Ingen Kender Natten) in 1.
Both films also star Edvard Persson. The film was the first to be photographed by cinematographer Harry Hasso, who also appears in the film as an actor. Like Greta Garbo, Signe Hasso travelled to Hollywood to film, her appearing in the films Heaven Can Wait (1. Lubitsch) and A Double Life (1. George Cukor). Swedish actress Emy Hagman appearred in her first film that year, Flickan fran varuhuset, under the direction of Anders Hendrikson and Torsten Lundqvist, Brita Appelgren having starred with her in the film. Much like Swedish actress Guje Lagerwall, the daughter of Victor Sj.
Gustaf Molander in 1. Dear Relatives (Kara slakten), starring Ruth Stevens, Dora S. Edvin Adolphson in 1.
What do Men Know (Vad veta val mannen), scripted by G? Stevens as well. Gosta Rodin in 1. She or No One (Hon eller ingen, produced by Europa Film and starring Inga Tiblad, Anna Olin and Sture Lagerwall. Elner Akesson photographed the film for Svensk Talfilm. The former film was adapted by Ivar Johansson from a play by Siegfried Fischer, the latter film from a play by Henning Ohlsson. Marmstedt that year directed G?
Ekman and Karin Kavli in the film Perhaps a Poet (Kanske en Diktare), co- scripted with Torsten Flodin. Also appearing in the film is Gunnar Olsson, who would direct his first film Jarnets man, with Hjalmar Peters, in 1.